Music and fantasy Essay

In the start of the story, Connie drives the life of a cheerful multi year old young lady. She goes through a large portion of her days around with companions where they meet young men, tune in to music, watch films or go for shopping. At the point when she remains at home, she fantasying about gathering young men and gets in her mother’s way. She is upbeat when she tunes in to music and when she is visiting the area with her companions. She is despondent when she is at home and her mom continually bothers her. Her mom thinks of her as pointless, whose brain is constantly loaded up with ‘trashy daydreams’. She resembles some other white collar class adolescent. Her reality is loaded with companions, fun, awesome music and dream. She realizes that she is pretty and that is everything to her. She like most youngsters apparently lives two lives: one that her family observes and the other when is anyplace other than home. She watches the world through the rose hued glasses of youth. Her contribution with young men both genuine and envisioned are sweet and delicate, the manner in which it is in motion pictures and guaranteed in melodies. 1. The story is distinctive as in the person in question, Connie comes out voluntarily, leaving her home and family behind. The stole doesn't constrain his way in to her home. Or maybe he tempts her by music, magnetism and expanding dangers. At the point when Arnold companion shows up and approach her to go for a drive, she is complimented that he recalls her. Bit by bit she sees something counterfeit about him and needs to stop the discussion. Yet, the turn comes past the point of no return and by then Friend has her in his hold. She understands the peril however decides to yield. She attempts to secure her deepest self by falling into a condition of daze and removing herself from her body. The sweet popular music that Connie listens for quite a while exemplify her innocent vision of life, love and sex, this demonstrates extremely hazardous for Connie. She has a cloudy view that any explicitly accused connection of young men is sweet and delicate like it is appeared in films and guaranteed in melodies. Consequently she is defenseless against Arnold Friend, whose camouflage has an odd likeness to Bob Dylan. His activities are that of the drifter in Dylan’s tune, â€Å"It’s All Over Now, Baby Blue†, who comes to draw her into a foreboding and questionable fate. The Rock’n’Roll music is consistently present in Connie’s life. She hears music in an eatery around. It causes Connie to feel great about everything. To her, it resembles a community gathering, something to rely on. At the point when she is with a kid Eddie, again there is music. Music causes her to feel satisfaction and delight of being alive. At the point when she is at home, she wanders off in fantasy land about young men and music is consistently at the foundation. On a Sunday evening, when she is separated from everyone else at home, she turns on the radio; she is promptly washed in a shine of moderate beat satisfaction that appeared to rise bafflingly out of the music. Music is additionally present as Ellie Oscar’s transistor radio, the sentimental guarantees and mad strains of music help Arnold Friend in enticing Connie at her home. 4. One of the topics of the story is fantasy of guiltless youth versus the truth of dubious future. Connie has the deception of affection and life which is slammed by the coldblooded reality. In the start of the story, Connie sees the world through the rose shaded glasses of guiltless youthful. She accepts the world to resemble what is seen in mainstream motion pictures and guaranteed in bubble-gum rock. She lives in her own fantasy world. She fantasizes about young men, where all the faces break down in to one single face which isn't a face yet a thought, an inclination blend in with music. Toward the finish of the story Arnold Friend shows up at her doorsteps and her universe of fantasy and guiltlessness is attacked with merciless reality. Companion prevails with regards to tempting her in to an obscure and dubious goal. In addition on the off chance that we consider Friend as a depiction of Charles Schmid, a sequential executioner in Tucson, Arizona, at that point most likely she faces the truth of assault and along these lines passing. Work Citation: â€Å"Where Are You Going, Where Have You Been by Joyce Carol Oates†. 12 July 2007. College of San Francisco †¢ Educating Minds and Hearts to Change the World. 19 September 2007 <http://jco. usfca. edu/works/wgoing/content. html> Joyce Carol Oates â€Å"Where Are You Going, Where Have You Been†. 4 May 2000. Martina Preis and Corina Naujokat. 19 September 2007. <http://www. philjohn. com/papers/pjkd_ga15. html> We Could Be So Good Together: Rock And Roll And American Fiction. June 2007. Terry Dalrymple and John Wegner. 19 September 2007. <http://www. nobleworld. business/pictures/D_and_W. pdf>